EXULTATE DEO PALESTRINA PDF

Among Palestrina’s or so motets, Exsultate Deo has always been a favourite. With its joyous tunefulness and vivid word-painting depicting musical. Exultate Deo. composer. Giovanni Pierluigi da Palestrina (/). Motettorum quinque vocibus liber quintus, author of text. Bible. Psalm 80 ( 81): From the fanfare-like opening of Exultate Deo and its soul-mates by Viadana, Gabrieli, Byrd and Monteverdi, through the linear beauties of Ave verum corpus ( as.

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From the fanfare-like opening of Exultate Doe and pakestrina soul-mates by Viadana, Gabrieli, Byrd and Monteverdi, through the linear beauties of Ave verum corpus as set by Byrd and Philips and Parsons’ Ave Mariathe imploring devotion of Lotti’s incomparable Crucifixus and the serenity of Tallis’s O nata luxall is brought glowingly alive. Introspection Late Night Partying.

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With its joyous tunefulness and vivid word-painting depicting musical instruments, it refutes the inaccurate myth of Palestrina as a cold, bloodless master of abstract polyphony, a myth due in part to the reverence surrounding him even in his lifetime and to the use of his music ever since as a model in the teaching of counterpoint, an unfortunate fate indeed for a composer whose music, at its best, leaps off the page and demands the excitement of performance.

In this wxultate, Palestrina witholds his musical gesture, at first spinning out a series dek choppy imitative motives, and finally reaching a strong homophonic conclusion as all voices sing the solemnity. Masterpieces of Sacred Polyphony. Rainy Day Relaxation Road Trip.

Though the motive is less than characteristic, the pzlestrina phrase structure follows an expected pattern of imitation in all voices leading to a strong harmonic cadence on the tonic.

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A Capella from Saint Exulhate Church. Jazz Latin New Age. This recording was made exactly one hundred years after the foundation stone of Westminster Cathedral was laid in and is a testament to a century of conservation and innovation in the performance of music within the Roman Catholic liturgy at the Cathedral.

O quam gloriosum is an integral part of Vespers for All Saints, the Miserere complements the sombre drama associated with Lent, and so on. Drinking Hanging Out In Love. Throughout his motet Exsultate Deo, Palestrina infuses seo straightforward musical structure with subtle yet clear motivic evocation of the text. A sound recording of even the most masterly exulltate of sacred polyphony is bound to involve compromise. High Mass Recorded Live. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Exultate Deo (Palestrina) – from CDA – Hyperion Records – MP3 and Lossless downloads

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However, the labels Renaissance and Baroque are of limited use when applied to the sacred music of the late sixteenth and early seventeenth centuries: Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

All performed by the Cambridge Singers at palestrima sensuous and virtuosic best. Mysteries of the Renaissance.

With its joyous tunefulness and vivid word-painting depicting musical instruments, it refutes the inaccurate myth of Palestrina as a cold, bloodless master of abstract polyphony, a myth due in part to the reverence surrounding him even in his lifetime and to the use of his music ever since as a model in the teaching of counterpoint, an unfortunate fate indeed for a composer whose music, at its best, leaps off the page and demands the excitement of performance.

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Exultate Deo (Giovanni Pierluigi da Palestrina)

Hyperion offers both CDs, and downloads in a number of formats. Maria di Monserrato—the Aragonese church in Rome. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. The context of the English music recorded here is curious. February Total duration: Introduction English The dates which musicians use to delineate historical periods are frequently misleading.

Though Giovanni Pierluigi da Palestrina was known both in his own time and in ours as a preeminent composer of sacred music, he was not unaware of other trends. Basilica of the National Shrine of the Immaculate Conception.

Musical greatness is sometimes difficult to ascribe with certainty, but in the case of composers such as Palestrina and Victoria the task is an easy one; the fact that they worked in the same place at the same time is more than mere historical accident. The function of church music is to adorn a living liturgy. In Palestrina ‘s case, the same subtle ideal could often inform his palesrina music as well.

The second Point of Imitation contrasts the surging first motive to a fanfare-like intonation of “rejoice. Nine Centuries of Choral Music. Brother Sun, Sister Moon.